Yeah the media thinks that shaving your head and getting a couple of tattoos is a bad thing. The paparazzi don't care if Sinead O'Connor does it, but for Sluttly Spheres it's a big fucking deal.
Please note that all posts on the death of Anna Nicole in this topic have been moved to their own topic. Please continue posting about her death and its aftermath there (link follows), and continue discussions of all other notable or personally meaningful deaths here.
Slaughterhouse Five. Even the movie of it was whack. He knew what appalling terroristic lengths Americans would go to.
He lived next door to Joseph Heller. Between the two of them they had taken the attitudes pioneered by Sartre and Khafka to their American style height.
So sad to hear that George Melly died. For those that are not aware of who he was, please take a gander at his obit. He really was a fascinating funny guy, of course from Liverpool too! There's smth in the water in my hometown that makes us all rather bonkers. RIP Scouse Mouse! http://news.independent.co.uk/people/obituaries/article2739726.ece
A great and profound loss to the entire poetry community.
[From Wikipedia]
Sekou Sundiata, (b. Harlem 1948 - d. July 18, 2007) born Robert Feaster, was an African-American poet and performer, as well as a professor at New York City's New School. His students include musicians Ani DiFranco and Mike Doughty; his plays include The Circle Unbroken is a Hard Bop, The Mystery of Love, Udu, and The 51st Dream State. He also released several albums, including Longstoryshort (Righteous Babe Records) and The Blue Oneness of Dreams (Mouth Almighty label). His subjects included Jimi Hendrix, Nelson Mandela, and reparations for slavery. Word of Mr. Sundiata's death came after a series of reports that he was in grave condition and on life support in a Westchester hospital after suffering two heart attacks. He had been afflicted with but survived other health crises for many years, including kidney failure, a transplant, pneumonia, and a broken neck from an automobile accident.
Sekou Sundiata recorded and performed his poetry with such renowned musicians as Craig Harris, Nona Hendryx, David Murray, and Vernon Reid, as well as with Henry Grimes in duo at the Vision Festival of 2OO6. His plays include "A Circle Unbroken Is a Hard Bop," "The Mystery of Love," and "Udu." Mr. Sundiata was a Sundance Institute Screenwriting Fellow, a Columbia University Revson Fellow, a Master Artist-in-Residence at the Atlantic Center for the Arts in Florida, the first Writer-in-Residence at the New School University in New York, and a professor at Eugene Lang College.
Among his students was folk-rocker Ani DiFranco, whose Righteous Babe label released Sekou's CD "Longstoryshort." DiFranco has said that Sekou Sundiata "taught me everything I know about poetry," and the two performed together in 23 cities during her Rhythm and News Tour in 2OO1. In 2OO3, Sundiata toured the U.S. again, performing his one-man theatrical piece "Blessing the Boats," a chronicle of his five-year battle with kidney failure, blending monologues, readings, stand up comedy, spoken word, and storytelling, with recorded music and video projections. The poet's latest theatrical piece, "the 51st (dream) state," is a multi-media music-theater performance, Sekou Sundiata's contemplation of America's national identity, its power in the world, and its guiding mythologies. He has also been featured twice on Russell Simmons' Def Poetry Jam on HBO.
Television journalist Bill Moyers, who featured Sekou Sundiata in the PBS series on poetry, "The Language of Life," has said of Sekou that his work "comes from so many places it is impossible to name them all. But I will wager that if we could trace their common origin, we'd arrive at the headwaters of the soul. Listen carefully and he'll take you there." Wrote Amiri Baraka: "Sekou is one of the most distinctive and original DJALI (Poet, Historian, Musician Signifier) doing it. Sekou is Pre-Griot, meaning in the ancient tradition of 'The Gleeman.' Serious as light overhead in darkness."
That is a hard hit to take. A truly vigorous voice, always doing culturework, not willing to commercialize for the White Order, not so quietly defiant and very sage. On a double bill with him at the Kitchen produced by Emily XYZ and Edwin Torres, he later remarked to a mutual friend that I was the star. It made a shiver run up my back. He's left us some great WORD.
RIP Mrs. Astor. I enjoyed the Goodie Girls' recollection yesterday:
quote:
today we got the news that Brooke Astor had died. We admired Brooke Astor as a great lady and great New Yorker who did much good for many. In one of her columns--we think it was in Vanity Fair in the late 90s--she lamented that among the many things we've allowed to slip away in this country is formality. She lamented the fact that we immediately use first names when meeting new people. The reason she gave for lamenting that change was not a snooty one. It was, she explained, that by allowing everyone that kind of informality off the bat, we have lost the pleasure of saying, "Call me Brooke," as a sort of gift to a new person to whom we've taken an immediate liking. She was right. It would be nice to be able do that still, and if that were possible, we would ask all of you to please call us Romy and Foxy.
I think the only acceptable place for the new c.b.g.b.'s is in heaven. Now the Ramones will have a place to play. R.I.P. Hilly you created "The" rock venue.
CBGB's was an extended family and a cultural frontier. Hilly was the dad at the door behind BG eying who came and who paid and who did not. Louise was the tireless booker and she held the telephone frontline. Lisa and Robert the real children grew up in and around the club. No one who observed her can ever forget his first wife, the hectoring, seemingly crazy one, who would pop up when ever she needed money or his last companion who gave her heart to her teddy bear of a man. Plus all the musician foster kids who passed through the club's back stage door.
Hilly was also a shrewd businessperson and knew how to make the filthy, sacred club into the ground zero of original rock'n'roll. CBGB's out lived Max's and all the others that came to steal CBGB's thunder and disappeared one after another as Hilly kept his doors open, the beer cold and the sound system first class. The intimacy between the waist high stage and the fans was unlike any other club. A band never knew if record executive Seymour Stein, or manager Danny Fields, the writer Lisa Robertson or the dean of rock critics Robert Christgua or artists like John Lennon or Lucinda Williams or Hal Wilner were in the room. (and this usually made up for the paltry pay based on low cost door receipts)...those folks usually hung out near Hilly in the back far from on stage view.
Everyone used the same foul smelling, exposed space, gender free bathrooms. Many an adventure and right of passage began on that stairway between the stage and those bathrooms. The hieroglyphics left by thousands of bands, like pups, that had to stain the wall with their names on every surface of the club, made a post-modern location deconstruction wet dream. CBGB'S was, like Max's in the 60's, Studio 54 in the 70's and Danceteria in the 80's a cultural and nightlife essential stop any night of the year. Like Mickey Ruskin (Max's, Steve Rubell (Studio 54) Larry Levant (Paradise Garage), Hilly put his personal imprint on a cultural institution that shouted New York and was ground zero for style, taste and music.
Even if he would rather had listened to Blue Grass, Hilly knew what was authentic from fake... and on any night of the week you could see and judge for your self. Who you saw and heard at CBGB might never be seen or heard again. It was a roll of the dice. You could have been present the night that Suicide, Television, Hot Lunch, Patti Smith, the Black Rock Coalition, Dean and the Weenies, The Stilettos, Blondie, the Stimulators, DNA, Glenn Branca, the Talking Heads, Helen Wheels, the Student Teachers or any number of either puck or art rock bands played. Their music made NYC and CBGB's the center of modern rock music. Or you could have had to endure the sounds of completely forgettable bands from anywhere in the world as they were "born again" by the music ritual of performing on the CBGB's stage.
If hilly knew and liked you, he would quietly tip you off in advance when something special just might happen.
Hilly kept in step with the cultural turns as the century came to a close with the addition of an art gallery and acoustic room next door and in the basement a lounge room for dj trance culture and romance. Hilly is now gone and the downtown music clubs that mattered are almost all in the graveyard of memory buried by the brutal assault of real estate, greed and drugs on the creative heartbeat of downtown NY.
But CBGB's influence still bleeds into the fantasy life of any kid, boy or girl, white or of color, straight or gay or unsure who thought that picking up a guitar or writing a poem like Patti to sing or scream was the path to their own kind of soul music. CBGB's spirit will not die. Blessed be Hilly. You are indelible in the cultural history of music that matters anywhere. What a legacy! I trust I will still be able to buy that CBGB t-shirt to strut at any age my identification with the beautiful art of noise and downtown otherness.
I miss Adam Goldstone..... wah wah wah But I somehow know that one day we will all hang again at some other DJ booth in the sky u know! Adam right now is liggin' with Larry Levan! LOL
RIP VIP Anita Roddick founder of The Body Shop. This woman changed the way business think, she literally invented not only ethical consumerism but a greener way of thinking. Brava! RIP - VIP! http://news.independent.co.uk/people/profiles/article2953709.ece
If only more capitalists could think the way she did the world would be a wonderful place!