Supported by Butoh Ritual Mexicano and The Vangeline Theater
¨...with a beautiful disturbance Diego danced from the individual experience into a colective communion, transgrees the postmodernity.¨
CARLOS MARQUEZ, LA JORNADA, Mexico
With "Ekua Itsi: Behind the Mirror", Diego Piñon celebrates ten years of creating solo Butoh Ritual Mexicano dance and honors both the death of his father and the guidance he has received from Kazuo Ohno, the 100-year old co-founder of butoh. In his work, Piñon combines bio-energetic movement, contemporary dance and theatre, and traditional Mexican ritual. He was invited to dance with the Japanese groups Byakko-Sha in 1993 in Mexico, and Min Tanaka's Maijuku in 1994 in Japan, and continues to refine master butoh techniques with Natsu Nakajima, Yoshito Ohno, and Kazuo Ohno. www.diegopinon.com
Opening piece:
"Kaze" (wind) created and directed by Vangeline for the Vangeline Theater.
Performed by Maki Shinagawa, Pamela Herron, Mandy Caughey, Ellen Godena, Kat Mac Millan.
"Kaze" (wind) explores a journey from bondage to freedom, and the myriads of confrontations which arise for women from this process of liberation.
Vangeline is the Artistic Director of the Vangeline Theater. The Vangeline Theater is a post Modern butoh dance company firmly rooted in the tradition of Japanese Butoh while carrying it into the 21st century. www.vangeline.com
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